Mircea Eliade, No Souvenirs, Journal 1957-1969įrancis Ford Coppola’s rendition of Mircea Eliade’s novel Youth Without Youth opens with a montage of clocks woozily bending. Seeing them and reading them even if they aren’t there if one sees them, one can build a structure and read a message in the formless flow of things and the monotonous flux of historical facts.”
That means: seeing signs, hidden meanings, symbols … in everyday life.
DALI THE PERSISTENCE OF MEMORY MEANING SERIES
“…the exile must be capable of penetrating the hidden meaning of his wanderings, and of understanding them as a long series of initiation trials …. Michael Taussig, Walter Benjamin’s Grave But if the fantasy increased in intensity beyond a certain point, it too would be repressed, and a physical symptom would take its place.
But where does it go? What happens to it? Freud suggested fantasy was a montage of sight and sound drawn from prior experience that disguises that experience and represses memory of it.
“The ultimate fantasy would be to write about a fantasy because as soon as you realize it’s fantasy, it changes.
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